Once the curtain is raised, the actor is ceases to belong to himself. He belongs to his character, to his author, to his public. He must do the impossible to identify himself with the first, not to betray the second, and not to disappoint the third.

I have often been asked why I am so fond of playing male parts. As a matter of fact, it is not male parts, but male brains that I prefer.

He who is incapable of feeling strong passions, of being shaken by anger, of living in every sense of the word, will never be a good actor.

To be a good actor... it is necessary to have a firmly tempered soul, to be surprised at nothing, to resume each minute the laborious task that has barely just been finished.