I feel more pressure when I'm writing for teens. I'm very aware that my audience is impressionable. Therefore, I'm far more careful about what I say and the language I use.

I watch a lot of teen TV and read a lot of YA novels. I also talk to teens whenever I can. There are cultural differences between when I was a teen and now, but emotions - anger, angst, love - are the same.

I think that if you write what you love to read, that will be what your audience wants to read, too.

In 'Bras & Broomsticks,' Rachel Weinstein gets the shock of her life when she discovers that her mom and her younger sister, Miri, are both... witches! In 'Frogs & French Kisses,' Rachel and her witchy family are back - Miri is busy zapping up ways to save the world, while Mom has gone boy crazy and become a magicaholic.

Against the wishes of my family, I gave up my legal career, and I volunteered for the Army. I became an infantryman. I went to Iraq and Afghanistan.

It sometimes feels like the workplace is immune from social upheaval. We go to work and do the best we can, and at the end of the day, we return to our lives. We don't abandon who we are, however, when we begin and end our workday. Who we are shapes how we are perceived in the workplace and, in turn, how we perform in the workplace.

You have to live in Silicon Valley and hear the horror stories. You go and hang out at the cafes, and you meet entrepreneur after entrepreneur who's struggling, basically - who's had a visa problem who wants to start a company, but they can't start companies.

They do say that the profession gets increasingly difficult, but my career seems to have been inside out.