I think most of my tastes were British, as far as comedy went, when I was growing up.

I think the longer a sitcom is on the air, by necessity, the dumber the characters have to get: otherwise, they would be learning and growing, and they won't be funny, so they have to get more and more extremely whatever they are.

New York has surprised me a couple of times. I was a snob about pizza, but I've found one or two places that allow me to forget deep dish for a while.

Most sitcoms and cartoons, especially, you can rely on, because they go back to square one at the beginning of every episode.

I didn't really start building my own stuff until I was 24, 25 or so, and even then, I ran into a lot of resistance from, like, older folks, like my bosses at other companies or people in the industry that were like, 'Oh that's an interesting idea, but it will never work.' And, I don't know, I kind of believed everything that they told me.

One day, we had a layoff at my job. And I went to my boss, and I said, 'Please save someone else's job. This is a win-win situation for the company and me - and just lay me off.' I did that in around 2003, and I never looked back. I became a full-time comic.

The Indian television industry has catapulted into a huge business. Films, however, have not lost one shred of charisma or commercial lucrativity.

When I first came to Hollywood I was told to go out with an agent because it was good for my career. So I went to a party with him because it was good for my 'career.' Well, he thought the whole thing was a big date. Needless to say, I was very upset.