When I was getting ready for the release of 'Deadline,' when it was coming out soon, I decided that the appropriate way to get people excited about the book would be to write a novella in 30 pieces and publish a piece on my blog every day for a month... during a convention, a week-and-a-half-long trip to New York, and a doll traders' expo.

I think part of the pressure put on 'strong female characters' comes from the fact that there is so often 'the team girl,' who must be all things to all people. Part of avoiding that is having as many female characters as I can, and allowing them to thrive in their own right, not inside a framework they didn't ask for and don't want.

I am a cisgender woman who has always had a lot of female friends. While many of us have traits in common, none of us will ever be exactly the same. So it's enormously important to me that my female characters be people, and be allowed to be whatever they need to be.

I believe that humans are pretty awesome but we are not capable of understanding what heaven would look like while we're alive because whatever is out there is so much bigger than we are.

On the other hand, if the free world is concerned with how a new Palestinian leader governs, then the peace process will have a real chance to succeed.

The core distortion of the War on Terror under both Bush and Obama is the Orwellian practice of equating government accusations of terrorism with proof of guilt. One constantly hears U.S. government defenders referring to 'terrorists' when what they actually mean is: those accused by the government of terrorism.

The change began in Somalia, where we discovered that we were involved in an operation where there was no peace, so there was no more a peacekeeping operation because there was no peace.

Disney's House of the Future had the clean simplicity prized in the 1950s as relief from decades of frayed patchwork, jury-rigging, and make-do clutter caused by Depression and war.