When I was getting ready for the release of 'Deadline,' when it was coming out soon, I decided that the appropriate way to get people excited about the book would be to write a novella in 30 pieces and publish a piece on my blog every day for a month... during a convention, a week-and-a-half-long trip to New York, and a doll traders' expo.

I think part of the pressure put on 'strong female characters' comes from the fact that there is so often 'the team girl,' who must be all things to all people. Part of avoiding that is having as many female characters as I can, and allowing them to thrive in their own right, not inside a framework they didn't ask for and don't want.

I am a cisgender woman who has always had a lot of female friends. While many of us have traits in common, none of us will ever be exactly the same. So it's enormously important to me that my female characters be people, and be allowed to be whatever they need to be.

I believe that humans are pretty awesome but we are not capable of understanding what heaven would look like while we're alive because whatever is out there is so much bigger than we are.

When I tell people I'm a comedian they say, 'Oh, are you funny?' I say, 'No, it's not that kind of comedy.'

I often joke that I straddle psychosis and neurosis, and that being an artist keeps me in the middle, so I can work between the two.

I don't like doing things by halves, and I realised you can't do stand-up comedy part-time.

I'm a bug on acting, which distinguishes Second City from a lot of other revues. It comes from the character, the behavior, and not from the jokes. I don't think jokes are funny. Humor comes out of character and out of situations the character is in.