Growing up in the U.S., I'd siloed off my identities. While I was an Indian at home, I was an American at school. I have now embraced both the identities.

Growing up, everyone dreams of certain things, and they map out a direction that their life would take. Working with A. R. Rahman sir is one of my dreams, if not the biggest dream, realised.

Being an Indian in the U.S. and growing up in the suburbs were the two things that really shaped my outlook.

Growing up, any time I would sit down with my grandfather to learn or talk about Carnatic music, he would bring up G. N. Balasubramaniam. Listening to the recordings he would play me, I was dazzled by GNB's voice and how he was able to execute ideas that I could barely wrap my head around.

Without imagination we can go nowhere. And imagination is not restricted to the arts. Every scientist I have met who has been a success has had to imagine.

I think one of the things that attracted me about theater and the stage was the ability to escape reality. And that is what I do in my work as a writer, but in a different way. And the freedom to put your own existence on ice and become another person.

I was at art school that had quite a celebrated film course as well. I tried for that film course when I was 18, but they said I was too young. I tried this audio and visual design course instead. Two years later, I reapplied for that higher course, but they said I was still too young and to try in five years.

As a viewer, I really want to watch author-backed stories, and there is something amazing about thrillers, the way it captivates your imagination.