Growing up in the U.S., I'd siloed off my identities. While I was an Indian at home, I was an American at school. I have now embraced both the identities.

Growing up, everyone dreams of certain things, and they map out a direction that their life would take. Working with A. R. Rahman sir is one of my dreams, if not the biggest dream, realised.

Being an Indian in the U.S. and growing up in the suburbs were the two things that really shaped my outlook.

Growing up, any time I would sit down with my grandfather to learn or talk about Carnatic music, he would bring up G. N. Balasubramaniam. Listening to the recordings he would play me, I was dazzled by GNB's voice and how he was able to execute ideas that I could barely wrap my head around.

There's always the influence of music, film, art and the other things that drive me. I'm usually inspired by my environment and whatever is making me happy or mad.

Writing on 'Love' is so steeped in self-analysis. The writer's room can feel like therapy.

My imagination is a monastery and I am its monk.

Could I have worked under a system where there were Draconian controls on my creativity, meaning budget, time, script choices, etc.? Definitely not. I would have fared poorly under the old studio system that guys like Howard Hawks did so well in. I cannot.