Baby Got Back' was already a reflection of what was going on. I didn't see it as this gigantic political statement.

When I did 'Baby Got Back,' that was just a reflection of the African-American community. We've always liked curves, and a lot of people misunderstood it because let's face it: 20 years prior to 'Baby Got Back,' the only images you saw of a black woman on television were she was probably 300 pounds and cleaning the house with a rag on her head.

When I did 'Baby Got Back,' I did it to be unpopular.

I think what's beautiful when you're looking at artists like Macklemore and you're looking at artists like Ayron Jones, they're proud of Seattle and they're bringing it back. Seattle's a real music town. When you act ashamed of that, you should be pushed outta the game as far as I'm concerned.

The pop culture tends to go to the lowest denominator, so cinema is in a weird place, due to its mass nature. It's diluted down to very little: simple stories and simple politics.

There is a question for which we will never know the answer: had the U.S. not launched the Contra war to overthrow the Sandinista government, would they have succeeded in bringing socioeconomic justice to the people of Nicaragua?

I thought I was benefiting the Indians as well as the government, by taking them all over the United States, and giving them a correct idea of the customs, life, etc., of the pale faces, so that when they returned to their people they could make known all they had seen.

I think the government has to reposition environment on top of their national and international priorities.