The 'Ponyboy' single is coming out next because it's the other bit of the pole of the record. Sort of everything I'm interested in happens on that axis - everything I'm interested in this material happens on that axis, and so I was really excited to tour 'It's Okay to Cry' and 'Ponyboy.'

The thing that separates Sophie from the music I do for other people is that it's 100% written by me. In the past, I've written my songs and then asked friends if they could record the vocals. I didn't want to use my own voice, because other people have much better voices. I was hearing the music with a voice that I don't have.

I'm always trying to encapsulate how we, as emotional beings, interact with the world and the machines and technology around us - being able to emote through those things. They're not antithetical or mutually exclusive.

The pop-music video is one of the most powerful communication tools we have. Most people have access to a phone, and you can click a video and absorb it in three minutes. If it's potent enough, you can take in the message or have some sort of experience in multiple dimensions, the music with the image.

When I got out of school, I just started doing plays of the off-off-Broadway route, and for many years, that's what I did, slowly doing work in tiny theaters, building relationships with people in the business. It's not a showy story.

I have millions of dollars, and I don't know finance. I've had some bad things happen in my career. I've got to educate myself. I sit down with my finance guy once a month and go over everything, line by line.

I don't have just one role model - rather, pieces of inspiration from many different entrepreneurs. One of the great things about being an entrepreneur is that it naturally enables you to build a village of advisors and role models.

My business is not to show anybody anything; my job is just to do it.