Going on to train with Lecoq in Paris meant I discovered European theatre at a formative moment growing up.

You spend a lot of time studying, and you want to do something with that. Something that's tangible, like creating a show, writing a screenplay, making a difference.

Seeing the work of directors like Romeo Castellucci, Ivo van Hove, Thomas Ostermeier, and Simon McBurney and Theatre de Complicite, was, and continues to be, hugely important to me. To my mind, these are artists who are forging new languages of performance and storytelling, and their constant reinvention is very inspiring.

I would love to write a mystery - a romantic, funny mystery.

My view is that marriage is a relationship between a man and a woman. That's the position I've had for some time, and I don't intend to make any adjustments at this point... Or ever, by the way.

Boom' is my heart. The 'kack' is my soul. Apparently when I choreographed I didn't realize that I said 'boom-kack' 'boom-kack.' I had no idea I was doing it and then I realized that it's every time I felt like the fight in my soul - the boom and the kack - was like my heart. It was like the love of it - my heart and soul.

I was always in a big hurry to do everything. Before I was 20, I was married twice and had two kids. But I don't regret any of it. I learned a lot about myself. I had a lot to say for someone my age, real early on.