I was only listening to rock music, burning joss sticks in my bedroom, wanting only to be a disc jockey, and watching six hours of television a night - the worst kind of teenage alienation.

I'm not really a professional composer; I just compose now and then when someone asks me to.

Learning great works like the Liszt Sonata or Beethoven's 'Hammerklavier' should be a struggle to a certain extent, where you need to labor intensely with your own brain and soul for the meaning of the work instead of cutting and pasting a bunch of stuff together from the Internet and - boom! - there you are with a performance ready to go.

Out of silence is born concentration, and from that comes learning.

I could stay in Germany and start my coaching career there. I did not want to.

People have been so supportive of this career for so long, and they are still enjoying the music that I bring to them.

If you want to go beyond that small percentage of people who are already environmentally and scientifically aware, you have to make your work somehow link with a passion, interest, or profession of someone who isn't interested in science or nature.

I think after 'The Day The Earth Stood Still,' I really stopped thinking strategically about my career. I just did. At that point, it became crystal clear to me that you can strategise your career all you want, but it's so difficult to get a movie made, and creativity shouldn't be subjected to that kind of strategic thinking.