You can have a lot of destruction, but in a realistic female movie, the women are going to be aware of that destruction and apologizing for it.

I have felt that there's a lot of receptiveness to female stories now. I think some of it has a little bit - a lot of it is economically driven and driven by, just, kind of studios wanting to check that box because now they know they have a woman problem that they need to solve.

I didn't have a lot of men to ask questions of when I was starting out. There were two female directors people suggested I talk to when I was starting out, and they were Nancy Meyers and Kathryn Bigelow.

I feel like most movies about female friends derive their conflict from an extension of the high school movie rivalries, or there's some petty grievance: a competition over a guy or a wedding date or something. And I don't relate to any of that.

I think that every piece has its challenges. I love going back and forth between one and the other. I'll always pick a comedy over a drama.

Marissa is one of the fan favorites of 'Comedy Bang! Bang!' for everyone throughout the years.

I typically start out almost every speech I give making some kind of joke about me being in a wheelchair.

What I like to think I've done is try to teach all women and my three female daughters, to teach them to rise above stuff, to find things that move you, to bring humor and laughter to everything that you do, and to realize that no other person defines you. Find what's great about yourself, and band together as women.