Brantford was the fixed point of my universe, growing up. Both sets of grandparents lived there, with various cousins and uncles and aunts, and no matter how far we'd moved off, we came back there for regular visits. In a way no other houses have ever been, my grandparents' houses were 'home,' and the sale of the last of those houses was hard.

In my book 'The Winter Sea,' set north of Aberdeen, I couldn't just ignore the fact some people there - especially the people in the past - would speak the Doric.

People didn't just wear wedding dresses in the past. They also wore plain cotton shifts beneath them. As pretty as the dresses might be, and as lovely as they might look on display, if a museum doesn't hang the shifts beside them or acknowledge that the shifts existed, that exhibit's incomplete.

One of the more interesting challenges I face when doing research for my novels is to trace the lives of women who are vital to the narrative and try my best to give them back their voices.