We don't want to live in the past; we want to go into the future.

I'm building my own brand outside of the Peas. It's not Black Eyed Peas, it's Zumbao. Zumbao is different from the Peas because it's all on me and I can't feed off of anybody other than me.

Most of my career, people have the misconception about me as being threatening and scary, and having an intense look, but that's not the real me.

Just being in the industry that I'm in, you get people building up your ego - 'Oh, you guys are the best, you guys are gods.' So I started believing the hype - 'Yes, I am a god!'

For me, I do everything all the way. When I love my wife, I love her all the way. This isn't a sales pitch; this isn't a tagline. You'll see us in our 80s, and we'll be sitting together on a rocking chair. That's how it is. That's how it ends for us.

I'd love to tackle a classic Shakespeare play or take on Nora Helmer in 'A Doll's House.' Musical theater, it's the classics like Rodgers and Hammerstein and Cole Porter's 'Kiss Me Kate.' I'm much more a Julie Andrews-type soprano than an Idina Menzel.

I think women sometimes stop flirting with their husbands, and you can't. Men want to want feel good - they want to feel like their women love them. When they come home from work, don't start nagging them with questions. Go up to them and give them a big kiss and ask them how their day was.

The violent quarrel between the abstractionists and the surrealists seems to me quite unnecessary. All good art has contained both abstract and surrealist elements, just as it has contained both classical and romantic elements - order and surprise, intellect and imagination, conscious and unconscious.