Films like 'Shaan,' 'Sholay,' 'Muqaddar Ka Sikander' and so many others... they've been a part of my growing up years.

I don't disown feminism, but I don't believe in such labels.

I am glad that people have become more accepting of female characters.

Most stabilizing part of my career is that I have done all genres. I hate classification.

I clean my own utensils, my house and I even travel alone. I don't know what the life of a superstar is like.

In the business world today, failure is apparently not an option. We need to change this attitude toward failure - and celebrate the idea that only by falling on our collective business faces do we learn enough to succeed down the road.

One of the things I wanted to do in 'The Death of Truth' was explore some of the larger social and political dynamics that fueled the rise of Trump and brought America to the point where a third of the country will casually shrug off hard facts about everything from the size of inaugural crowds to the crime rate among immigrants.

Jewish history turns out not to be an either/or story - as in, either pure Judaism detached from its surroundings or else assimilation - but rather, for the vast majority, the adventure of living in between.