The works I made at the start of my career rely on the themes of war, atomic power, and outer space.

I stopped worrying about competition in contemporary art. It feels a little bit more pure. That's where I am, one step back.

In the West, it's just a given that art exists in this high-class place. But in Japan, there's no high class. The minute you come out, you're low class.

When I was little, I guess I was just an ordinary kid. But then things changed when I was in junior high. You know, kids that become geeks become one because of something. Like, they aren't good at sports, or girls don't like them. I, too, for some reason, got into things like science fiction and, well, especially science fiction as an escape.

Hobbits are an unobtrusive but very ancient people, more numerous formerly than they are today; for they love peace and quiet and good tilled earth: a well-ordered and well-farmed countryside was their favourite haunt.

War had always seemed to me to be a purely human behavior. Accounts of warlike behavior date back to the very first written records of human history; it seemed to be an almost universal characteristic of human groups.

There is no greater feeling than hanging out with my dogs, or just walking around the land with our horses. My rescue ranch is is where I feel the most at peace and where I'm reminded of the simple things in life and let the chaos of my crazy work life fade away.

I grew up in Saudi Arabia and India and Cyprus, and I lived in a war-zone myself, and, I mean, I had a pretty bizarre, I guess, nomadic childhood, and so I was really drawn to international relations and political science.