When I was growing up, I was obsessed with 'Cagney and Lacey.'

When we were growing up, women in their late 40s generally didn't dye their hair.

I've been so amazed at the number of really professional top-of-their-game women who I know to be intelligent, well educated and brilliant who have said, 'What was it like to snog Matt LeBlanc?'

I have a shallow understanding of what it means to be alive, and I know certain things about parenting and being a wife and doing the school run. I know little bits, but I'm really a paddler on a beach.

A lot of times when we work overseas we tend to put the experience of someone who lives overseas, a Chinese person or a Korean person or a Bosnian person, within the prism of an American life.

I went through a phase in my 20s when I was overdosing on self-help books, so it was really refreshing to read 'The Alchemist' because it was a novel, but it still had the same wisdom, wasn't patronising and didn't tell you how you should live your life.

I have always wanted to do Broadway, my whole life, but I never knew I'd actually make it - it's a dream; it's never been in the realm of possibility. So to be doing 'Hello Dolly!,' it's not just Broadway, but it's the most joyful, sort of classic Broadway experience with the most extraordinary company.

I quite like the idea - just as an abstract idea - of 12 people's collective life experience and wisdom being this formidable thing. People say juries can be led - I think 12 people from different backgrounds, different races, different genders, different ages, it's hard to hoodwink.