When you're a starving artist, you make do. It didn't matter that I didn't know where my rent was coming from.

In TV, you're a 'writer for hire.' That means you're trying to guess what your boss wants and delivering that story. There's a lot of spitballing. The big thing is 'breaking story,' which means coming up with a story. You do it by episode and put it all up on a board.

I always was missing that female brown queer perspective, and I think in 'Vida' we have that. A lot of things I wanted to touch on and deal with, I get to do here.

I went in for a meeting with Marta Fernandez, and she said, 'We are looking for a female millennial show. Have you heard of the term 'chipster'?' And I was like, 'Of course - Chicana hipster.'

The people who can step up my experience are those who have a common set of experiences with people I know. Think about it. How often did a total stranger come into your life to make your evening better? Not very often. But the friend of your friend? That happens all the time.

I still have a great friendship with my eldest son's mum. She's my mate. We have this wonderful son who's 6 ft. 3, gorgeous, and I'm his dad. I've not been a total failure.

Nothing to me is unexpected. No disappointment is unexpected - whether it's movies or people or relationships. I'm always ready for the punch directly between the eyes. So I get hurt, but I never get hurt. Happens all the time.

I have on my bookshelf a series of books with opposite titles: 'The Alpha Strategy' and the 'Omega Strategy'; 'Asia Rising' and 'Asia Falling'; 'Free to Choose' and 'Free to Lose'; 'How to Win Friends and Influence People' and 'How to Lose Friends and Alienate People.' Visitors love the collection.