There's something really unique about 'Orphan Black' is that it has a lot of female leads, so it's about a lot of women's stories, but it's not women's stories in terms of trying to find a guy or keep a guy; it's about entirely other things.

Clothing and makeup and hair and all of that so much indicates the kind of person you are inside and the person you are presenting on the outside. Sometimes they are in conflict, and sometimes they are the same. That psychology of the exterior informing the interior is just so interesting.

I was in a Nativity play as a kid. Back then, I played the donkey.

Something like 'Rust and Bone' would be a dream. Very pared down. 'Orphan Black' is such a challenge. I just need something that isn't as full-on intense as that.

Being a screenwriter for a comedy, you're writing for characters in them in their voice. I could write anyone.

Everyone is flailing through this life without an owner's manual, with whatever modicum of grace and good humor we can manage.

In Buddhism, they say attachment to anything only leads to suffering. So when we laugh, it's our way of saying, 'I'm unattached to that.' You're tickled by it, it makes your lobes do something on their own. So humor is very important to me. I always take that to the stage first.

Common sense and a sense of humor are the same thing, moving at different speeds. A sense of humor is just common sense, dancing.