I'm Asian-American, and I was the only Chinese girl growing up in a white school in San Diego. So I understood what it was like to be different, to always want to fit in and never feel like you ever could.

I have minor characters who are Asian-American, and I've been using them throughout my career, but they've never taken center stage, they've never been really powerful, they've never expressed some of the experiences I had growing up in the U.S. Johnny Tam is the first one.

My brother often complains to me about the 'angry Asian male' in the United States. As a female, I haven't encountered this, but Asian-American men are angry. They're angry because, for so many years, they've been neglected as sex symbols. Asian women have it much easier, I think; we're accepted into various circles.

Because I never plan anything out ahead of time, I'm always in the process of learning about my characters. Without a biographical sketch to guide me, I discover things about my heroines as the stories unfold. Only in 'Body Double' did I discover that Maura's mother was a serial killer.

There are so many people around the world in need of high-quality education and really starving for education.

In an age of never-ending health fads, it's comforting to learn that one of the healthiest activities you can do has existed for millennia. It's called reading. Yes, books are not just entertaining or educational: they can also improve your mental health.

I was performing at a New Jersey high school, and I asked a class of 2,000 students, 'How many of you love mathematics?' and only one hand went up. And that was the hand of the maths teacher!

I had spent my childhood making up adventures in my head. Then I realized when I went to acting school that there were adventures written down, and you could learn lines, and you could do the adventures for real, not just in your head.