I'm Asian-American, and I was the only Chinese girl growing up in a white school in San Diego. So I understood what it was like to be different, to always want to fit in and never feel like you ever could.

I have minor characters who are Asian-American, and I've been using them throughout my career, but they've never taken center stage, they've never been really powerful, they've never expressed some of the experiences I had growing up in the U.S. Johnny Tam is the first one.

My brother often complains to me about the 'angry Asian male' in the United States. As a female, I haven't encountered this, but Asian-American men are angry. They're angry because, for so many years, they've been neglected as sex symbols. Asian women have it much easier, I think; we're accepted into various circles.

Because I never plan anything out ahead of time, I'm always in the process of learning about my characters. Without a biographical sketch to guide me, I discover things about my heroines as the stories unfold. Only in 'Body Double' did I discover that Maura's mother was a serial killer.

I'm definitely not getting married. In this business, you're either getting married or they want you to be pregnant. I'm not getting married until I'm forty. If ever.

No partner in a love relationship... should feel that he has to give up an essential part of himself to make it viable.

I think, for women in particular, it's kind of like you're expected to get married, have a child, and then you get to be a person. But you don't need someone else - be it a spouse or child - to complete or validate your existence. Being human is enough and should be enough, and I hope that we all come to a point where we can accept that.

Marriage is a bribe to make the housekeeper think she's a householder.