In general, I avoided giving lectures or attaching myself while abroad to a university. To learn what I wanted to know, I went instead to rural communities and onto actual farms. Talk with university people, government officials and U.S. personnel stationed in the country was much less rewarding for me.

Farmers the world over, in dealing with costs, returns and risks, are calculating economic agents. Within their small, individual, allocative domain, they are fine-tuning entrepreneurs, tuning so subtly that many experts fail to recognize how efficient they are.

The adverse economic events following the First World War turned me toward economics.

Most of the people in the world are poor, so if we knew the economics of being poor, we would know much of the economics that really matters. Most of the world's poor people earn their living from agriculture, so if we knew the economics of agriculture, we would know much of the economics of being poor.

I want to be a star. It doesn't mean that I'll act any less. My performance will be at par, but I want to be a star. I want the audience to spend their hard-earned money on my tickets without doubting. And when that day comes, I'll believe I'm a star.

I truly believe there needs to be more programs for artists and musicians to teach basic financial literacy and planning. Coming from where I came from, I know that I could have used that kind of assistance.

If you can get some of the devil's money to use for the Lord's work, if you have to borrow it, it is all right and carry on the work.

There was a jingle house called Lucas/McFaul in New York, and they called me 'the demo king.' I almost never had the big final - in jingles, you have the big final, and then you sing on it, and you make a good deal of money.