Sometimes the best experiences are when I know nothing about this movie: I've never met the director, and I come and see something and I'm blank, because then it's coming at you in a way it would never come at you if you'd read the script, with an expectation.

I guess there are certain conventions that come with film and with scoring film. So maybe one of those is menace in a lower register. It's trying to evoke some sense of chaos and adventure.

The idea of creating film scores was terrifying for many years, into my 30s. It struck me as a career of doing 30-page term papers the night before they're due.

When you go into something like a space movie, you think there's going to be no music or little music.

What you can say, what French parents say to their kids is, 'You don't have to eat everything, honey, you just have to taste it.' And it's that tasting little by little by little that gets kids more familiar with the food and more comfortable with it and more likely to eat it the next time.

I had older brothers and sisters who were high achievers, and I felt different, misunderstood by my family. That's not my family's fault; it was my perception.

My family in general - they're troubled or poorer people.

The whole 'R' rating depends on a strange sort of fantasy land where all adults are responsible people, and children only ever go to the cinema with their parents.