Coming from where I came from, being a foster youth... like, living in all those different homes... I am glad I had those experiences because now, when I perform, I can come from a place of reality: I know how different people live.

I danced for, like, 11 years at bar mitzvahs and executive parties. I'm a professional energy producer. I produce energy, baby.

In stand-up, you do need to be having fun up there, like Richard Pryor said, but you have to know yourself well, too... You start learning, and it's like playing a piano. You know exactly what keys to stroke, 'cause really, with comedy, you're, like, fiddling with people's souls.

You're the only one that's in control of your emotions; you're the only one that's inside of you at all times. So control you however you want to. If you're not happy, that's your fault.

I think there are more good sportswriters doing more good sportswriting than ever before. But I also believe that the one thing that's largely gone out is what made sport such fertile literary territory - the characters, the tales, the humor, the pain, what Hollywood calls 'the arc.'

I started doing improv comedy in 2007, and I think it was that that gave me the confidence to try doing stand-up!

If you could choose one characteristic that would get you through life, choose a sense of humor.

Even if it's a thriller or a comedy, it's always a love story for me, and that's what I concentrate on, because the love stories are my surrogates for the argument: two people in conflict that see life differently.