I'm a guitar player, really - I mean, first and foremost - I grew up with all that great 1960s music, in terms of growing up, becoming a musician, so it's like first-love stuff; I'm always going to go back to it.

I want to be known as a professional weirdo. There aren't many Salvador Dalis or Buckminster Fullers left. If I become popular enough, I can establish the next step for records.

Before there were any sort of 'recordings' there was performance. If we are devolved back to the Stone Age tomorrow, there will be performance.

If I have an opportunity to do something safe or something challenging, I'll often choose the latter. Sometimes, the objective is to submerge my viewpoint with the artist.

If you spend your time away from work looking at emails and making sure your inbox went down to zero, that's not an effective way to spend your time as a CEO or an entrepreneur. Often times, those emails aren't that important.

There is no Internet business in furniture or bedding. Zero - practically in the world.

It's so wide; that's what I love most about my career. It's been varied, and the music has been varied, because I find myself getting bored pretty easily. So for me, to work in the studio has been great. I didn't go on the road; I just worked on a different project every day, a different kind of music, and that's the challenge I love.

Tyrannosaur's an arrival for me, but it's also the first step into a new career. I don't want to be moonlighting at this, like I have done with acting. Y'know, I think I've found my career at 37 years old.