As actors, you do have to be aware of your audience. You can't act in a vacuum, even if that audience isn't exactly present with you.

You're trying to bring an emotional and psychological reality to a character that's on the page and make them three-dimensional.

I think theater is a great training ground; I think it's a great opportunity to play.

If theatre paid as well as movies and TV, I'd do it all the time.

It's a wonderful thing working with young actors. I know a lot of people don't like working with children. I actually adore it, because you watch their imagination open up and you watch them start to learn this job that I've been doing for so long. They come with such a lack of cynicism.

In England, we'd leave school at 15 and go on to a college, and I went to further education in a town called Welling Garden City. I fully immersed myself in bohemia there, which included poetry and modern art, jazz, philosophy, social radicalism.

It is reasonable to expect the doctor to recognize that science may not have all the answers to problems of health and healing.

With the Neal Morse Band, we're doing progressive music with a harder edge; it's a little more in Dream Theater territory for me. Flying Colors is a little more poppy, it's more Radiohead, Muse, and Coldplay territory, so I approach that drumming in a different way.