If you want to change the world, change yourself.

When they tell you to grow up, they mean stop growing.

In Seattle, I soon found that my radical ideas and aesthetic explorations - ideas and explorations that in Richmond, Virginia, might have gotten me stoned to death with hush puppies - were not only accepted but occasionally applauded.

A lot of my work comes from what in Asia is called the 'mind of wonder.' There is not a lot of 'mind of wonder' writing in contemporary Western literature. I think that's what appeals to the readers who are my fans.

The Wall' is a reaction to 'Edge of Tomorrow,' where I was like, 'I don't need time travel and aliens to take a hero and pin them down in an impossible situation. I can do it in a much simpler way.' And that was 'The Wall.'

My earliest professional musical experiences were really as a session player, and every day was an adventure. Three sessions a day, every day, and you never knew who you would be working with until you arrived at the studio.

I think 'Lost in Space' certainly shifted from being an ensemble adventure series about a family facing the unknown alien environment to this trio of comedians - Dr. Smith, the Robot, and Will Robinson being the straight guy. It definitely changed its tone over the three seasons and 84 episodes we did.

Watching the evening news in 2011 is a strange time-travel experience. 'The CBS Evening News,' 'ABC World News' and 'NBC Nightly News' haven't changed their style over the decades, still going for that old-fashioned mix of voice-of-authority pomp and feel-good fluff. The difference is that people aren't watching.