I used to say to myself, 'Well, in the old days everybody danced because they loved to dance, and there was none of this professional garbage going on about how much can you get for this or that or the other, or any of the kinds of things that insecurity can sometimes promote. Sometimes it's for the wrong reasons.'

It was not until I had graduated from college that I made a professional commitment to it. Frankly, I didn't think it wise. I was my own interior parental force, and it's very difficult to justify a profession as a dancer.

When I started thinking seriously about learning the rules of narrative, I thought, 'You've learned the rules of dancing from the ballet; what's the matter with learning the laws of theater from the people who know how to do it?'

Proust writes, he remembers, physically. He depends on his body to give him the information that will bring him to the past. His book is called 'In Search of Lost Time,' and he does it through the senses. He does it through smell. He does it through feeling. He does it through texture. It is all physically driven, that language.

Our partnership with Dick's Sports Matter program aligns perfectly with our mission to address inequity in schools nationwide.

For a while, I was all sports all the time. Then, as I started to get into theater, they dropped away, but I hung on tight with a highly competitive Ultimate Frisbee team. It was probably less intense than I remember, but it was fun.

In my time, I experienced a black man not being able to be the quarterback of a football team.

My father started me in football. So what better way is there to honor him than to wear his last name on my back and make him proud?