Growing up, the image I had of Princess Margaret was completely different. I knew that she was a slightly tragic figure, but I didn't know why. Now, I love her with my all my heart. She was such an amazing person, and getting to 'know' her better was an honor.

I did The 'Acid Test' at the Royal Court, by Anya Reiss, who's the most wonderful, amazing female writer. She was only 19 when she wrote it. She wrote it about three girls in a flat on a Friday night, and that was magic because it was so rare to have three girls in your age group in a play. It just doesn't happen.

I thought, 'If I go to uni, I can read and watch people and take many different subjects - take philosophy modules - and have time to travel in the summers,' which I did. I thought, 'I hope this will make me a better actor,' and it did.

So many times, you pick up a script, and you think, 'OK, so she's the sexy one,' or, 'She's the ex-girlfriend.'

I was 37 when my father died-and I no longer had any freedom of choice over what I would do with the rest of my life.

If life is a checker game, someone else is moving the pieces. It isn't us. Don't be surprised by amazing coincidences. There are no accidents. Consider, as I learned to do, the incredible interconnectedness of all of life.

You weren't born just to live a life and to die; you were born to accomplish something specifically. Matter of fact, success is making it to the end of your purpose; that is success... Success is not just existing. Success is making it to the end of why you were born.

For me, when my agents and reps send me a script, I read it through, just for the story purpose of it, and then I read it again to think of my character and see if it's something that I'm interested in bringing to life.