I am drawn towards the sort of characters who are in situations where they don't want to be in. But that's a staple in pretty much in any hero's journey because if you have non-reluctant protagonist then how is there any conflict?

The job of any artiste is to open the eyes of the public to their surroundings and make them aware of it.

I want to direct more often. The job of a producer brings its own benefit as you start to see the simplicity of film making. But yes there is a constant battle between the director and producer in me.

Post my parents' divorce, when I was 10, my mother, Deepa Motwane, took up a job as a line producer with documentary filmmaker Shukla Das, who was a cousin of hers. When I was 17, she did a TV talk show and I helped her with research and assisted her as she was also producing that show.

This is like the telephone problem - no one wants to have the first one. But we are seeing a lot of people who want some sort of technology to solve the spam problem.

When I was growing up, my mother would always say, 'It will go on your permanent record.' There was no 'permanent record.' If there were a 'permanent record,' I'd never be able to be a lawyer. I was such a bum in elementary school and high school... There is a permanent record today, and it's called the Internet.

I took a job in the U.S. because I wanted to work on products that would get into end users' hands. In Norway, most of the jobs are in server software, niche stuff.

The good news is, being a digital citizen comes naturally to many of us once we get the opportunity - human beings have been taking things apart and putting them back together throughout history.