The kind of writing that matters most to me is something you don't learn about. It's constantly coming out of what I don't know rather than what I do know.

The Indians seemed to be living in a place and in a way that was of immense importance to me. So I associate learning to read - English, oddly enough - with wanting to know about Indians. I'm still growing into it. I've never outgrown that.

I think memory is essential to what we are. If we - we wouldn't be able to talk to each other without memory. And what we think of as the present really is the past. It is made out of the past.

The past is always - one moment it's what happened three minutes ago, and one minute it's what happened 30 years ago. And they flow into each other in ways that we can't predict and that we keep discovering in dreams, which keep bringing up feelings and moments, some of which we never actually saw.

I think my capacity to change has given me tremendous happiness, because who I am today I am completely content to be.

In the room, when I'm playing SpongeBob, I'm optimistic and I'm happy, and I smile in the face of those who are upset in order to make them happier. You know, there's this overwhelming optimism. And I've been lucky enough to have that become a part of my life. I like to think that it's influenced me.

My prayer for you, Donald Trump, would be for you to have an opportunity to experience the delight and the joy of what oneness truly is. And if you can have that in your life, if you could feel that feeling in your life, then my prayer would be that your division and your separation, your attack, would dissolve with that boundary.

In 'The Future and Its Enemies,' I argue that individual creativity and enterprise are not only personally satisfying but socially good, producing progress and happiness. For celebrating creativity and happiness, I have been called a fascist by critics on both coasts.