I believe in the philosophy of turning the other cheek.

My father was a great admirer of music and the arts, so there was always a lot of culture in the house. As it happened, while my father was the ambassador in Portugal, the ambassador's residence had a piano, and so I started learning how to play it at the age of five.

For me, everybody is the same. If you are not nice to me, I will say, 'Okay, we will try to make it nice tomorrow.' I am like that. I am not a confrontational person.

I am glad that my weight never affected my singing career, but other than this, I faced a lot problems: like, I was unable to talk for 20 minutes after coming down from the stage after my shows. I got very tired because of my fatness.

I'm just basically trying to make music that feels good. Right now in the music industry there's a real lack of intimacy. You don't really connect with the artist as much anymore, and you don't really understand where they are. I'm basically doing music that illustrates who I am and where I am in my life.

I feel very giddy with the idea of making my imagination take form and being able to put on a show where people leave feeling like they've experienced something.

I've been painting and drawing and taking pictures as long as I've been writing music - and I've actually been drawing longer than I've been writing music.

Sometimes a technology is so awe-inspiring that the imagination runs away with it - often far, far away from reality. Robots are like that. A lot of big and ultimately unfulfilled promises were made in robotics early on, based on preliminary successes.