Kodak has always represented innovation that is approachable while delivering the craft of filmmaking.

I imagine a future with no waste; material innovations have already become exponentially more vast, and I do think the future needs to be cradle to cradle. If designed properly, one product could be used for many years before needing to be recycled, or its components reused.

I know it's a cliche, but I see myself as a citizen of the world. I was brought up in Switzerland by German and Turkish parents but I've very much grown up in San Francisco. I have a European sense of aesthetic, but I'm also deeply steeped in the notion of change and entrepreneurship that is associated with Silicon Valley.

Design certainly has a cosmetic, aesthetic aim. It always aims at making things beautiful. But relevance is just as important. I often say, 'If it isn't ethical, it can't be beautiful. But if it isn't beautiful, it probably shouldn't be at all.'

It's hard to say how far we are down the road to our conventional understanding of artificial intelligence, but I think what we've developed so far, if it's not already consciously awake and hiding from us because it's seen what an ugly and destructive race we are, and it's trying to preserve itself, it's probably in a state of dreaming.

Photovoltaics are a great technology for certain applications, and, in fact, we invest in photovoltaic technologies. But they're not good substitutes for grid electricity.

I'm not no Internet person.

I have an amazing social media manager, Allison Peters, who is one of my closest friends since childhood.