I have a complicated relationship with the horror genre. I love it; I loved it as a kid growing up, and I watched Chiller Theater in New York. So I loved it, but then you do feel if you do it too much, you're stuck there.

You have to determine what you are and send the messages out to people, like, 'Hey, I'm a screenwriter - look at this.' You can't sit around, wondering why people aren't calling and asking about my writing.

Three years is a lifetime in Hollywood. If your career starts slipping in L.A., you can really feel it. All of a sudden, the people that you were beating for a part start beating you.

L.A. is a very strange place. On the surface, it has an innocent appearance, like the stranger with the pleasant face that smiles and shakes your hand. But then you learn it is actually a lot less nice than you think, and there's a whole deeper, darker level.