If you're looking for reps, write letters that are short and professional. Make sure you have a really great reel of yourself. If there are friends you know who are making short films, do them - it's all material for your reel.

For me, the banner that I want to wave in terms of giving a jump start to writers of any gender is just to make female protagonists as complex as their male counterparts.

The actors I admire always have something to say, or a level of poetry, belief, activism or intelligence about what they do or how they feel.

I've had times in the past where I wanted to give up acting, get my head out of the arts because it was like my constitution couldn't deal with it. My job means I get judged on my looks; I get discriminated against because of my sex; I take on roles that are so two-dimensional... you can go mad trying to fill that third dimension.

I think there is a lot of technology that is finding its way into our storytelling - it's pretty unavoidable.

It's a battle between record company, between producer and between mastering engineer. Because the louder you make your record in a digital process, the more dynamics are squished out of it. Nobody knows exactly what happens, but the dynamics in the performance disappear, and everything is at the same volume.

It used to be that in comedy you had to play the clubs and work your way up, but now, before you do the clubs, you can put something up on the Internet. It's public access times a million.

Software tends not to kill people, and so we accept incredibly fast innovation loops because the consequences are tolerable and the results are astonishing.