Growing up, I was a self-loathing Igor who carried the queen's books. My job was to be the sarcastic sherpa, quietly providing the farce and adoration, then becoming part of the wall when cued.

Both of my parents are actors, so I grew up backstage with them. I would see some of their shows 30, 40, 50 times. I would have it all memorized. I loved it.

I'm on a billboard in Times Square, but my bathroom is still dirty, and I have toothpaste on my face.

When I first thought about wrestling, I thought about it as this foreign thing that I would have so much trouble accessing, and then, day one of researching it, I was like, 'Oh, I know what this is! This is theater. This is playing pretend.' It was really easy to connect to.

I've been offered jobs by companies that supported apartheid many times in the 25 years of my modeling career, but I have never taken one of them. I have to refuse that money, because I'm not going to work against my people. They've suffered enough.

The big money goes to kids and young men - big tent-pole movies, which are expensive but have a great return.

Even in junior high, I always knew I had a talent for music and I knew I could make money that way.

Basically, people are never happy enough because they want more money.