I was a very observant child. The boys in my books are based on boys in my neighborhood growing up.

What interests me is what children go through while growing up.

I have lovely memories of Los Angeles in the 1930s. I came down to live with my mother's cousin and they invited me to come and go to junior college for a year.

In my grammar school years back in the 1920s I used my ten-cents-a-week allowance for Saturday matinees of Douglas Fairbanks movies. All that swashbuckling and leaping about in the midst of the sails of ships!

In order to eliminate injustices and to ensure there would be less controversy, I would introduce technology that would make refereeing better.

My career was exploding at the same time that social media itself was expanding. But when my online videos were taking off, I didn't think, 'Oh, great! I'm going to be able to parlay this into a career!' I just wanted to be a comedian. I just wanted to perform live.

Steampunk, the repurposing of Victorian culture and technology for contemporary fun and profit, is so ubiquitous - in media, books, fashion, music, cosplay, and maker culture - that we tend to imagine its superficial aspects are all that define it.

What really turns me on about technology is not just the ability to get more songs on MP3 players. The revolution - this revolution - is much bigger than that. I hope, I believe. What turns me on about the digital age, what excites me personally, is that you have closed the gap between dreaming and doing.