If you're going to perform, you're going to attract criticism. You can't please everyone all the time. You don't know how things are going to come out. But that's part of the fun of it, the adventure of doing any kind of art.

At school, I was bored with the teachers, and there were moments where I felt they were singling me out.

I'm really grateful for the fact that I have full artistic control over my career. I can choose what film or TV projects I'm interested in doing.

Normally, with stand-up, it's quite solitary, you write the material on your own, you perform it on your own, it's all very much on you. Your own thoughts. You have to sort of modulate your own performance.

It's funny. People often compare me to other humor essayists. They're usually quite nice comparisons; I will accept those gladly. But I am always sort of appalled at the idea of being lumped with other, more chick-y female writers. And the truth is probably that neither comparison is accurate.

I liked the old comic books, especially the funny ones like 'Popeye' and 'Beetle Bailey.'

I joke about it being a millstone, but it never hurts to have a name that sticks out.

I joke, but I'm sort of serious: I've always wanted to get into a fight. I know that sounds horrible, but I always had the desire to see what it's like.