I look at some of my early stuff - back when I was 12 or 13 years old - and I was already doing cross-hatching back then. I don't know where I picked that up. I think I was in a hurry, and I wanted to shade something really fast, and I tried cross-hatching a shadow.

I think each film I do has less and less dialogue. It really helps a lot for foreign sales, because when I go to Europe, there's very little problem with communication. All the gags are visual. The music they can understand, and it helps communicate a lot better.

If I'm really feeling good and not having a lot of interruptions, I can do a minute of animation a day, so theoretically, I could do a film in three months without any interruptions.

Being a talented artist is good, it's nice, but it's not the most important thing. I think being a good storyteller, having a good idea, a good gag, is probably more important than being a great artist.

Money is the great equalizer.

Winning and making history is something you can't buy. Me? I'm a guy who loves history. When I'm 60 or 70, I don't want to be remembered for the money I make. I want to be in the history books.

I've seen 'Absentia,' which was amazing. I loved 'Absentia.' I loved that for no money, he was able to make a movie about something that you never saw. You never saw the bad guys. That was amazing to me. You never saw what you were supposed to be afraid of; you just knew you were supposed to be afraid of it. It was a phenomenal movie.

If you're looking for immediate rewards, you're only looking for the money.