I was like a fat, sweaty kid growing up in Queens who just was plopped down in front of 'Entertainment Tonight' by my parents.

I just worship Madonna. As, like, a young gay kid growing up in the '80s and '90s... I was at the Blond Ambition tour with my parents vogue-ing up in the mezzanine at the Nassau Coliseum.

I loved all awards shows growing up, but of course, the Oscars was the biggest one.

I grew up in Queens, which is the most diverse borough: the rich and the poor and homeless and people of every sexual orientation and gender and age group. Everyone is saying we live in this bubble, and there's some truth to that. But I do not think it is healthy to all of a sudden invalidate the way we live in New York.

I came from the Groundlings Theatre in L.A., and there, you're guaranteed to at least try something out in front of an audience. At 'SNL,' only the best stuff gets picked, and it's taught me a very defined language of comedy. You learn the structure of a joke, which is not something I was very good at beforehand.

In the India I was growing up in, history wasn't really a wise career option. People would joke and say, 'History's okay, but what's your actual job?' I didn't come from a privileged background and couldn't afford to be irresponsible, so I did the pragmatic thing and did a MBA.

Honestly, one of the reasons I wanted to do a comedy next was that I just kept thinking, 'I don't want to chase the next 'Breaking Bad,' because honestly, there may never be one.' I couldn't imagine any other drama comparing. And I just wanted to laugh.

I never dreamed that the little ditties I wrote about annoying customers or bagel recipes would turn into a full-length musical comedy. But a very wise person told me to 'write what you know'. So I did.