I've always felt that my career was in wiser hands than mine. Whatever, in its good time, is supposed to happen will happen.

Something is guiding my career; I don't know what it is. When I look back at my career, I call myself the most lucky actor in the world. It is all I have ever done. I do master classes, and I tell people not to use me as an example. I do not know anyone like me - not to brag - it is just very unusual.

I kind of feel the career chose me. My motto has always been, 'Go where I'm wanted.'

Performing in the theater is a very ethereal profession because you do it once and it goes out into the ether and it goes into people's minds and that's the only place that it ever exists. And it never exists truly; it only exists in the way that people think they remember it. But it's a really powerful way to tell a story and to pass something on.

There's virtually nothing made up in 'The Immigrant.' So much of the film came from somewhere in my family's past. All the details are from my own family.

I spent a lot of time with extended family when I was young. Every weekend, Dad would buy half a sheep and Mum would cook for about 50 people, and we would all eat on the couch, in the kitchen, spilling out into the garden.

I was eating in a Chinese restaurant downtown. There was a dish called Mother and Child Reunion. It's chicken and eggs. And I said, I gotta use that one.

I was about 10 when I first began to sing. My mother had been away for three weeks, and I learned 'Don't Cry for Me Argentina.' When she came back, I sang it in front of her, my auntie Linda, my father, my uncle Jim, and my grandmother.