I've always felt that my career was in wiser hands than mine. Whatever, in its good time, is supposed to happen will happen.

Something is guiding my career; I don't know what it is. When I look back at my career, I call myself the most lucky actor in the world. It is all I have ever done. I do master classes, and I tell people not to use me as an example. I do not know anyone like me - not to brag - it is just very unusual.

I kind of feel the career chose me. My motto has always been, 'Go where I'm wanted.'

Performing in the theater is a very ethereal profession because you do it once and it goes out into the ether and it goes into people's minds and that's the only place that it ever exists. And it never exists truly; it only exists in the way that people think they remember it. But it's a really powerful way to tell a story and to pass something on.

Rigondeaux was Cuba's answer to Bobby Fischer who transformed into a kind of Lee Harvey Oswald traitorous creature in that society. He escaped on a smuggler's boat and toppled one of the best fighters in the world in 2013 with his obliteration of Nonito Donaire at Radio City Music Hall. He made it look so easy, his career has never recovered.

As I've progressed in my career, I've come to appreciate - and really value - the other attributes that define a company's success beyond the P&L: great leadership, long-term financial strength, ethical business practices, evolving business strategies, sound governance, powerful brands, values-based decision-making.

At Sir-Tech I went through the ranks, almost like an apprenticeship. I was very fortunate. The industry was smaller then, and I was able to work alongside some amazing game designers.

There can only be democracy when money is not allowed to be spent in Politics.