With all of the people in Cuba who I met - many of them hugely heroic figures - I found learning about their complexity and richness and contradictions just really fascinating, and it was fulfilling to be able to offer a different side to them, to be able to have some kind of unique takeaway from the official narrative.

Hundreds of years ago, the most beautiful women of Havana were only glimpsed stepping in or out of carriages on this street. The first foreign writers who arrived and saw this could never get past just how incredibly beautiful their feet were.

Rigondeaux was Cuba's answer to Bobby Fischer who transformed into a kind of Lee Harvey Oswald traitorous creature in that society. He escaped on a smuggler's boat and toppled one of the best fighters in the world in 2013 with his obliteration of Nonito Donaire at Radio City Music Hall. He made it look so easy, his career has never recovered.

Is Duran's 'No Mas' a more defining moment in his career than his victory over Sugar Ray Leonard in their first fight? For many, it is.

The new meaning of soul is creativity and mysticism. These will become the foundation of the new psychological type and with him or her will come the new civilization.

It's not that I don't believe in creativity and innovation and new ideas, and the creativity that comes with fashion, which I really respect. But one of my biggest concerns is just how cheap we expect everything to be.

The relationship between art and a job is not quite linear, but I really love any and all manifestations of art, really respect any kind of artistic impulse, whether it's paintings and sculptures or really good filmmaking or music. I really see the relationships between these different mediums as very fluid.

Our experience of any painting is always the latest line in a long conversation we've been having with painting. There's no way of looking at art as though you hadn't seen art before.