When I was growing up, I, like many Jews, cheered what appeared to be the receding of faith from everyday life. The further religion got from our lives the better our lives would get, I thought, because persecution had been such a burden to Jewish families for generations.

I grew up in the age of discount air fare, and for me, the act of joining a culture was a great way about learning about that different culture. So I grew up in the South, and went to college in the North, and found out that I learned about myself as a Southerner by leaving the South and going to the Northeast.

I grew up as a fifth-generation Jew in the American South, at the confluence of two great storytelling traditions. After graduating from Yale in the 1980s, I moved to Japan. For young adventure seekers like myself, the white-hot Japanese miracle held a similar appeal as Russia in 1920s or Paris in the 1950s.

When faced with a challenge, happy families, like happy people, just add a new chapter to their life story that shows them overcoming the hardship. This skill is particularly important for children, whose identity tends to get locked in during adolescence.

I get up in the morning, I take a shower, and I go to practice. When I'm finished, the only thing that's on my mind is to go back home and spend time with my family.

When people say, 'Well, I don't talk to my family because they're all conservatives,' or 'I don't talk to my family because they're racist,' I'm, like, 'No, no, no; that's exactly who you need to be talking to.'

Several of my uncles are comedians. My father is a comedian; my grandfather was known for his jokes. It definitely runs in the family.

My parents come from that immigrant culture that places a lot of emphasis on doing well scholastically. Being a comedian or an actor is such an American thing. The Iranian culture is not about dreaming. It's about taking over your father's business, falling into line.