When I was coming to terms with my sexuality, I often felt like I needed to seek out sanctuary outside of my house, and the library was the first place I went. It was a place that I could go and seek out information and look for answers to questions that maybe I was too afraid to ask another person.

When I wrote 'The Assistants,' I knew very much that I wanted to write about income inequality and student loan debt and the gender wage gap, but I wanted to put it in a really slick, fun package. That book ended up being described as a socially conscious novel in chick-lit clothing.

I wanted to write a book about two women falling in love that wasn't hinged on tragedy or that involved some horrible identity-based misfortune. I wanted to write a pretty standard romantic comedy where nobody dies, nobody gets hurt, nobody gets sick.

I certainly firsthand know and love people who didn't fall in love with a woman or didn't even realize they were attracted to women until much later in life, and I'm sure that's true for many men who find themselves attracted to men as well. It doesn't always happen in adolescence. And that experience is completely valid and OK.

I see so many people who are not keen on getting married because they are busy working and doing their own stuff. In fact even I thought I wouldn't get married, but then luckily, I met Nikitin, and everything changed for good.

I love my living room: it's the heart of my home where I get to chill and spend time with family and friends.

I think there are a whole host of things that are civil rights, and then there are other things - such as traditional marriage - that, I think, express a community's concern and regard for a particular institution.

Comedy is the ultimate truth. Jazz is hitting the notes that that no one else would hit, and comedy is saying words that no one else would say.