My father was a corporate lawyer. He went to work in a suit and tie. He had a secretary. He left the house before seven A.M. His professional life felt generic, like a backdrop, a signifier more than a life: office job.

Curiosity is what keeps me open to a sense of hope. It staves off negativity.

Sometimes when you look at somebody else's career or choices or family, there's almost a comfort in knowing there's another option.

When the band first started, it was so much about carving out some space for myself and our audience and our songs.

I have my friends who like me because I'm me and not because I'm in films, and that's really important to me. They tell me, 'You look terrible; don't wear that,' or 'That joke wasn't funny,' and that's really important: they keep me grounded.

I majored in extracurriculars, honestly. I joined the Harvard Stand Up Comedy Society, which is a ragtag band of misfits. I wrote for 'On Harvard Time,' which was a student TV show trying to be 'The Daily Show.' And I wrote a humor column for 'The Crimson' starting my sophomore year.

I have no idea how to use social media for anything other than forwarding a good fart joke.

Making music on TV used to be as common as commercials. In the '60s and '70s, prime time was stuffed with variety shows headlined by such major and treasured talents as Carol Burnett, Red Skelton, the Smothers Brothers and Richard Pryor, who had a very brief comedy-variety hour on NBC that was censored literally to death.