I have always been fascinated with those who try to look over the horizon and see things that are coming at us.

I've learned the importance of changing people's minds at the grassroots level so that whoever does run will have a much better chance of encountering public opinion that reaches a critical mass and brings about a change not only in White House policies but in the Congress and in the state legislatures and all around the world.

The signs that the world is spinning out of kilter are increasingly difficult to misinterpret. The question is how to convince enough people to join a critical mass of urgent opinion, in the U.S. and the rest of the world.

CO2 is the exhaling breath of our civilization, literally... Changing that pattern requires a scope, a scale, a speed of change that is beyond what we have done in the past.

Seeing the energy of 'SNL' made me want to be a part of it. If that was a job, I thought, that was the job I wanted. That was my plan. Comedy.

A poet can feel free, in my estimation, to write a poem for himself. Or a painter can paint a painting for himself. You can write a short story for yourself. But for me, comedy by its nature is communal. If other people don't get it, I'm not sure why you are doing it.

I'm really interested in mythology and folklore. I'm interested in moralities, why we're here, faith... all of these bigger questions that I think we can place in films that allow us to question and give us a safe place to feel. Those types of questions can pop up in all sorts of different types of films - drama, comedy, action movie.

I have plenty of dream roles because there is so much I want to do, but my dream year would be to be in a single-camera comedy and then, on my hiatus, film a little low-budget indie drama. That would be a dream 12-month period. A dream role depends on having good material and working with people that I can learn from.