m just going to be a good friend to my kid. One thing I definitely want to change is that whole 'I don't want you to make the same mistakes' mentality. My dad didn't have much money growing up; he didn't have much of an education. He forced that on me, and I didn't want it.

But I stuttered as a kid. I went to classes to help it, and it just went away around fourth grade, when I became more aware of how others spoke, I think. But also, growing up in the South, a mumble is a way of speaking.

I can't do the same movies all my life. I'm conscious of that. But it's a trade-off. 'Dear John' allowed me to do movies I've wanted to do. You learn to balance it out. I'm still learning. Only now am I getting to do the kinds of movies that I have wanted to do. So it's a steady climb. You don't jump into a Soderbergh film.

I was not good in school. I could never read very fast or very well. I got tested for learning disabilities, for dyslexia. Then I got put on Ritalin and Dexedrine. I took those starting in the eighth grade. As soon as they pumped that drug into me, it would focus me right in.

Three and a half years in L.A. was enough for me. I would love to go back for short bursts if a film opportunity came up, but it's a unique place, and you can reach saturation point. For me it was a place where creative desire and ambition meets desperation. It's in the air; it's palpable - I just didn't want to be around that.

If I could time-travel, I would either go to the '70s and watch the first 'Star Wars' film the day it opened, or to 1880s London, during the Jack the Ripper era, and experience the true grossness of that time.

I was an arts student. I did graphic design. Being an artist, I did a lot of paintings. I have always had that creative side to me.

The nomads' egalitarian lifestyle astonished the Greeks, who kept their own women indoors weaving and minding children. The exotic Scythian lifestyle fueled the Greek imagination and led to an outpouring of myths about fierce Amazons, 'the equals of men.'