I once called a guy into his own office and spun around in his own chair to greet him. That kind of thing may be why I quit, before I got into serious trouble. I would smile and the person would get so upset. But you do a thousand of those things, and it makes you weird.

I'm not much for setup... punch line. I talk about my kids. I talk about my wife.

I don't really move onstage; all I do is just gradually hunch more and more and jut out at the people in the front row.

I'm so sick of people treating Latinos like some homogenous group that all feel the same way about everything.

These kids are looking for direction, for identification. Kids join gangs because they need a father figure or they want to be part of a group.

Now, if you're Al Gore, you can afford $10 a pop for squiggly-pig-tailed fluorescent light bulbs. But if you're mainstream America, two or three kids, mom and dad working outside the home, that's not a very good deal.

I came from a wealthy family. I made over my share of the estate to various charities.

I got to Broadway a year after I came to New York. I starred in 'Butterflies Are Free' and got a Tony for it. Right out of the gate. Maybe that's why I wasn't very gracious about it. I wasn't driven. And right after 'Butterflies Are Free', I got married and then started a family. I always wanted that.