I do try not to dwell on the past too much, because I have a tendency to do that, and as I've gotten older, I've gotten very good at distancing myself from shoulda, woulda, coulda.

I grew up in an environment where it was permittable to use violence to solve a problem. But it was not permittable ever to call the police under any circumstances. That was the kind of doctrine of my household. My dad was a career-long criminal, and you weren't calling the police for any reason.

You go through this business and you meet people that you bond with, and you get to go make movies with them. It's wonderful. What I've always dreamt of, in my career, is to have a brotherhood of collaborators, and go in and out of working with them. I'm just starting to get that, and it's really lovely.

It could be my downfall, but I don't think it is - Hollywood is run on perception, and if you stray off the path of what you want to do with your career, it's suicide.

I think I signed some contract, early on in my career, that I will only kiss Steve Carell when I do a movie.

I probably hold the distinction of being one movie star who, by all laws of logic, should never have made it. At each stage of my career, I lacked the experience.

When someone takes their existing business and tries to transform it into something else - they fail. In technology that is often the case. Look at Kodak: it was the dominant imaging company in the world. They did fabulously during the great depression, but then wiped out the shareholders because of technological change.

I think I've had the longest career of strength, focus, and still being able to sell records. I think I'm that guy. I'm still blessed with the opportunity to make music and pass out a message like, 'Life is good,' to the world.